On soprano he offers an evenness of tonal density throughout the registers of the instrument nothing sounds pinched or forced, and while his articulation is precise and accurate, each note rings through with remarkable clarity even in legato passages. A new group and a new beginning for Tim Garland in what is the finest album by a British jazz musician for quite some while.įirst, a word about Garland’s virtuoso playing on tenor and soprano saxes, which has reached a level of excellence and maturity that is truly world class. This modest but distinctly world class saxophonist, composer and bandleader has been acknowledged in America by a Grammy Award and lengthy tours with Chick Corea and Joe Locke, but previously has perhaps never quite received his just recognition in the UK, until now. Garland’s One racked up more points than any other release of the past 1. Has Stuart Nicholson got a crystal ball?īack in the April issue in the interview with Tim Garland talking about his new album One, he nailed it with the closing sentence: “It’s a truly memorable album that’s head and shoulders above any other British jazz recording of the last couple of decades.” As word spread, ears perked up and, come this year’s annual Jazzwise Album of the Year Critics Poll, Nicholson clearly wasn’t the only believer. He was interred in Metairie Cemetery following a " jazz funeral" organized by New Orleans musicians.Top 2. Jones died unexpectedly on January 1, 2007, after an accidental fall outside his Uptown New Orleans home. The book was said to be near completion when Jones died. Īt his death, Jones was researching and writing a long-anticipated biography of the early life of Louis Armstrong.
Jones co-authored the history of post-World War II New Orleans Rhythm and Blues, Up from the Cradle of Jazz, with Jason Berry and Johnathan Foose. Jones also served as a consultant for multiple documentaries and films. He served as an original Program Organizer of New Orleans's Satchmo SummerFest, the city's annual conference and celebration of Louis Armstrong's birthday which draws a choice roster of scholars and fans to New Orleans. Jones also managed music publishing for The Radiators as General Manager of the band's Fishhead Music. Jones taught a popular and acclaimed course on the history of New Orleans Rhythm & Blues at University of New Orleans in the late 1980s. He was also involved in the organization of "Piano Night," a celebration of piano originally presented at Tipitina's on the Monday following the first weekend of the New Orleans Jazz and Heritage Festival as a benefit for the radio station. Jones co-authored the liner notes of Longhair's final original records, "Crawfish Fiesta." He was involved in the founding of New Orleans community radio station WWOZ-FM. He was one of the "Fabulous Fo'teen," the founding members of Tipitina's, New Orleans's landmark music club established in 1977 and dedicated to Professor Longhair as a place for Longhair to perform until his death in 1980.
Jones contributed significantly to fostering and researching American rhythm & blues, early rock & roll and jazz.
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The William Ransom Hogan Jazz Archive at Tulane University now houses many of the interviews. Jones also used Loyola's WLDC recording facilities in pioneering the taped oral history interviews of numerous New Orleans musicians from every period and style of New Orleans music. This, in turn, gained the attention and influenced the programming of numerous record companies and album-oriented rock and jazz broadcast outlets through the United States. Frequently, Jones merged his broadcasting training with his musical historical expertise to promote New Orleans music in the station's playlist.
While earning a degree in Communications at Loyola, Jones was named Music Director of the university's radio station, WLDC and served from 1971-74. A graduate of Loyola University New Orleans, he developed an interest in the music and history of New Orleans at a young age and conducted important oral history interviews with musicians while still in his teens. Jones was a native and resident of New Orleans, Louisiana. His extensive research is credited with definitively establishing and documenting Louis Armstrong's correct birth date, August 4, 1901. Thaddeus Bunol "Tad" Jones (Septem– January 1, 2007) was an American music historian and researcher.
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